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Original Title: Old Boy
Abducted on a rainy night in 1988, the obnoxious drunk, Oh Dae-Su, much to his surprise, wakes up locked in a windowless and dilapidated hotel room, for an unknown reason. There, his invisible and pitiless captors will feed him, clothe him and sedate him to avoid committing suicide, and as his only companion and a window to the world is the TV in his stark cell, the only thing that helps Oh Dae-Su keep going is his daily journal. But then, unexpectedly, after fifteen long years in captivity, the perplexed prisoner is deliberately released, encouraged to track down his tormentor to finally get his retribution. Nevertheless, who would hate Oh Dae-Su so much he would deny him of a quick and clean death?
On the day of his daughter's birthday, Ho Dae-su gets completely drunk and is arrested. His best friend No Joo-hwan releases him from the police station, and while calling home from a phone booth, Dae-su vanishes. Indeed he has been abducted and imprisoned in a room for fifteen years. One day, he is suddenly released, receives clothes, money and a cellular and meets the Japanese chef Mido, and they feel a great attraction for each other. However, Dae-su seeks for his captor and the reason of his long imprisonment. While looking for revenge, Dae-su discloses deep secrets from the past.
THIS REVIEW WILL CONTAIN SPOILERS. MASSIVE, MOVIE RUINING SPOILERS. DO NOT READ IF YOU HAVE NOT SEEN THE MOVIE.
From the most recent reviews of this movie, it seems that quite a bit of people, instead of paying attention, chose to make a knee jerk reaction to praise they felt was unwarranted, but which was in actuality completely and totally warranted. I just watched Straw Dogs, a highly acclaimed revenge movie from the 70s, and I felt Oldboy was equally comparable in quality and just as strong in story and motivations behind plot elements.
For example, some have stated that Lee Woo-Jin didn't have enough motivation to want to destroy Oh Dae-Su's life. He did. Lee Woo-Jin lost his lover, his closest sibling, and what can only be assumed to be his closest-confidante, and all because of Oh Dae-Su's glib tongue. Oh Dae-Su realizes this at the end, which is why he removes his own tongue and why he supplicates himself to save Mi-do. He realizes that he was in the wrong in that instance, and his lack of discretion irreparably ruined the life of a classmate. Perhaps, due to your thoughts on incest, you believe his life was ruined justly. That is one way to see it, and one I agree with.
But even though Lee Woo-Jin was morally reprehensible and a disgusting individual, he would still have emotions and feelings, feelings which led him to treat Oh Dae-Su as he did. He didn't just want to hurt Oh Dae-Su, he wanted to ruin his life and leave him helpless while he ruined it.
Some have commented on the hypnosis factor of the movie as unrealistic. To that I say... so what? When you watch a movie, you suspend your disbelief. The best picture winner of last year, Million Dollar Baby, completely botched their treatment of intensive care patients and was extremely unrealistic. It was still highly lauded with praise by many movie goers. Movies many times get technical details wrong. If a movie where a man trains himself to be able to fight and then beats down about 20 people all by himself bothers you because the hypnosis factor was a bit unrealistic, then you have some extremely bizarre points of view.
Oldboy was a beautifully shot, wonderfully acted, and carefully plotted movie. Plot holes? Almost none. For such a complex plot, that is quite an achievement. Was it hard to follow? A little... but then again, most people are incapable of following a movie that does not hand them the story in easily digestible bits, so that's not a problem, it is actually a plus.
Maybe some didn't find it had enough action. Maybe others were disturbed by the inclusion of incest. Maybe others just wanted to be different from professional critics. Whatever the case, Oldboy was a fantastic movie. One of the finest revenge movies ever created.
Loosely based on the Japanese 'manga' of the same name written by Nobuaki Minegishi and Garon Tsuchiya, 'Oldboy', directed Park Chan-wook is a violent film, that disturbs it's viewer, but that is it's sheer power. This one turns out to be a legendary watch!
'Oldboy' is about A Man locked in a hotel room for 15 years without knowing his captor's motives. When he is finally released, he finds himself still trapped in a web of conspiracy and violence.
'Oldboy' is gruesome from the word go. It is amongst the most violent films you'll ever see, but it's bloodshed is so justified, that it grows on you, without the feeling of throwing up. It's the power, the depression & the search of a man, to get his life back, which is now impossible.
'Oldboy' not only promotes violence like never before, but also, throws in stuff dealing with incest. Please be forewarned, before tuning in this now classic. This film is not meant for everyone!
Park Chan-wook's direction is fantastic. He has a strong vision, which he executes in here with violence, as it's shoulder. The Screenplay is arresting. Jeong Jeong-hoon's Cinematography captures the Violence and it's power too really.
In the acting department, Choi Min-sik is outstanding in the lead role. He delivers a haunting performance, that offers strength. Yu Ji-tae excels. Kang Hye-jeong is superb. Oh Dal-su leaves a mark as well.
On the whole, 'Oldboy' is gutsy, gory and one heck of a watch. A Powerful Film All The Way!
Regardless of how you look at Oldboy, it's unlike anything you are likely to have seen before.
Oldboy is based loosely on a Japanese manga Old Boy, written by Nobuaki Minegishi and Garon Tsuchiya. Oldboy, the film, is the second installment of The Vengeance Trilogy, preceded by Sympathy for Mr. Vengeance and followed by Sympathy for Lady Vengeance. No, the ending is totally different. There are new characters involved, and the ultimate cause for Wojin's revenge is not the same as in the movie.
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